While the similarity in sound between the earliest clarinets and the trumpet may hold a clue to its name, other factors may have been involved. During the Late Baroque era, composers such as Bach and Handel were making new demands on the skills of their trumpeters, who were often required to play difficult melodic passages in the high, or as it came to be called, clarion register. Since the trumpets of this time had no valves or pistons, melodic passages would often require the use of the highest part of the trumpet's range, where the harmonics were close enough together to produce scales of adjacent notes as opposed to the gapped scales or arpeggios of the lower register. The trumpet parts that required this specialty were known by the term clarino and this in turn came to apply to the musicians themselves. It is probable that the term clarinet may stem from the diminutive version of the 'clarion' or 'clarino' and it has been suggested that clarino players may have helped themselves out by playing particularly difficult passages on these newly developed "mock trumpets".